Pentax Espio 120mi

Grasses

The photographs above and below were taken on Morte Point using a Pentax Espio 120mi and Ilford HP5 Plus a 35mm black and white film. More on HP5  here?

The Pentax Espio 120mi ‘point and shoot’ camera is a mid-range, 35mm film, auto-focus compact Design initiatives make this small but flexible (notably the physical size and overall quality of finish). It houses a good quality zoom lens (38-120mm), with plenty of features that enable a variety of picture taking options. The focus and exposure system on this easy to use camera is an improvement on earlier Pentax compacts, giving sharp results with a decent contrast of image. One of the most useful applications available on this model is ‘backlight compensation’, which enables you to take a photograph using natural light in the background and flash in the foreground, giving an even tone across the image. Panorama mode is included in this little package which gives a different (from the norm) aspect ratio.

Grasses

Both images were taken using the ‘backlight compensation’ mode.

These images below are of the same subjects, taken at the same time, using a Pentax K1000. The quality of these images is far superior.

Grass on a dry stone wall Morte Point

The panorama mode on the Pentax Espio 120mi only uses half of the 35mm film (height) creating a letterbox shape in the middle of the negative. The K1000 uses the whole of the film.

Grass on a wall Morte Point

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About peter

'Death by Sushi' Fish can kill me. When I was very small (maybe 3 or 4 years old) my grandfather, who lost the sight of one eye from a bullet fired by a German sniper (fortunately not a very good one) during the Battle of the Somme in World War 1, wiped my face with the corner of his apron, an apron he had used to wipe his filleting knife on. He was a grocery shopkeeper who specialized in wet fish.