Painting out is painting in. #printmaking

I have begun to work over a screen printed canvas (the painting below is the one I have reworked) in the studios of West Buckland School, to illustrate/show a student how to edit a painting. It is important to remove all the noise from a image to get to a meaningful statement – too much clutter, to much overkill detracts the eye from the real deal.

The image above is a photograph I took with a Pentax Spotmatic 35mm camera using ‘old stock’ (March 2000) Agfacolor HDC 200 film. My current preoccupation with 35mm film photography as taught me to look at things again – capturing the odd moment or peculiar juxtaposition. The colours and layout are similar to the painting I have created from the screen printed painting below (I will post the finished painting image soon).

“Reflections Ilfracombe Harbour Jubilee Day 2012?

The composition of this painting is based on a Union Jack and is a combination of screen printing and painting.

The reflections in the harbour in Ilfracombe always amaze me – the dirty sea water mixed with the vivid colours of the reflected boats, the bobbing flotsam and jetsam, the sunlight and oil spills.

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