Category Archives: Influences

#naked #shave

Vanity in the bathroom – do I shave my face or my shoulders? A constant dilemma for the modern middle aged man — at Jandia Princess Club.

face

Artist Statement (these snippets could be mine) #bullshit

The Genetics of Painting?
There are various ways of making Paintings to recipes, each becoming a question of process and discovery, controlling chance, arranging colour with simple brush strokes, dragging or pouring paint across the surface to reveal a vast range range of effects. The act of painting can be reduced to its most simple and material elements, new materials can be discovered and played with……Is this really painting?….. what is the process/purpose of the creation? Behind the rhetoric and bullshit there must be a reason….otherwise YCRE8.

Peter Bright – Artist Statement (these snippets could be mine)

Words taken out of context lose their meaning. Publishing documents that contain controversial language puts the author at risk. Any constructed environment can promote alienation, but it can also enhance communication to form a quasi-organic platform for human interaction. The fact that most of us have an on-line persona suggests that computer communication enables us to visit places and have discussions with people we would normally avoid. We are engaging in the pseudo-anonymous system/society. Underground activities have migrated out of analog media (the printed word, film etc.) into ‘this world’. This world has evolved into a global system with multiple layers in which new authorities compete to control its uses; platform wars, chip races, and operating system alliances. The pseudo-identity of the user is being exposed; law is punishing non-conformity, censorship and the rules of globalization have invaded the system. The Klondike Spirit has taken over the open system and turned it into the homogenized high street we all know.

(A non-homogeneous system, whose terms and relationships are not constant, allows language to break up, to stumble over the rules of its grammar, by necessity it has to respond radically to other linguistic components, creating a new linguistic order and syntax. )

Memories: Renoir, dead birds and rubber gloves, stolen kisses, life, stillness, pouches of Chinese fresh drinking water, broken dreams, lost lovers, onions, sections of discarded fishing nets strewn across the tourist beach, lovers in the darkness groping for the dark, hands first finding spaces, then they find there mark, my father, my ghost, my hopes and dreams, stinking of rotting carcasses [Read More]

imageParadigm: Clients are always shocked when I suddenly present to them a ‘painting from life’ – I appear to produce slap-dash imagery as my main artistic process, this isn’t because I haven’t mastered the basic fundamental skills of ‘traditional’ painting and drawing because I have and I am more than able to produce paintings in a typical style or pattern of work; a pattern or mode of working, arranged in order to form semantic constructions and express relations(hips) to the real world.

onions

pollock1

Artist Statement (these snippets could be mine) #bullshit

The Genetics of Painting?
There are various ways of making Paintings to recipes, each becoming a question of process and discovery, controlling chance, arranging colour with simple brush strokes, dragging or pouring paint across the surface to reveal a vast range range of effects. The act of painting can be reduced to its most simple and material elements, new materials can be discovered and played with……Is this really painting?….. what is the process/purpose of the creation? Behind the rhetoric and bullshit there must be a reason….otherwise YCRE8.

Peter Bright – Artist Statement (these snippets could be mine)

Words taken out of context lose their meaning. Publishing documents that contain controversial language puts the author at risk. Any constructed environment can promote alienation, but it can also enhance communication to form a quasi-organic platform for human interaction. The fact that most of us have an on-line persona suggests that computer communication enables us to visit places and have discussions with people we would normally avoid. We are engaging in the pseudo-anonymous system/society. Underground activities have migrated out of analog media (the printed word, film etc.) into ‘this world’. This world has evolved into a global system with multiple layers in which new authorities compete to control its uses; platform wars, chip races, and operating system alliances. The pseudo-identity of the user is being exposed; law is punishing non-conformity, censorship and the rules of globalization have invaded the system. The Klondike Spirit has taken over the open system and turned it into the homogenized high street we all know.

(A non-homogeneous system, whose terms and relationships are not constant, allows language to break up, to stumble over the rules of its grammar, by necessity it has to respond radically to other linguistic components, creating a new linguistic order and syntax. )

Memories: Renoir, dead birds and rubber gloves, stolen kisses, life, stillness, pouches of Chinese fresh drinking water, broken dreams, lost lovers, onions, sections of discarded fishing nets strewn across the tourist beach, lovers in the darkness groping for the dark, hands first finding spaces, then they find there mark, my father, my ghost, my hopes and dreams, stinking of rotting carcasses [Read More]

imageParadigm: Clients are always shocked when I suddenly present to them a ‘painting from life’ – I appear to produce slap-dash imagery as my main artistic process, this isn’t because I haven’t mastered the basic fundamental skills of ‘traditional’ painting and drawing because I have and I am more than able to produce paintings in a typical style or pattern of work; a pattern or mode of working, arranged in order to form semantic constructions and express relations(hips) to the real world.

onions

Let go #tarot

Tarot 10 April 2014

Sometimes it is better to just let things happen, leave things to fate, the will of God or turn a card.

No matter how hard you try to make things right or better it just won’t work, love, family, work – but maybe it is not suppose to be easy or happen? Nonsense maybe the will to make it work isn’t there in the first place.

Today I Turned the Tarot Cards…

The Page of Wands very often indicates a literal person in our lives. It can indicate a female who is younger than the curious card turner. Wands as people are usually warm, ambitious, and sometimes high achievers. The Page of Wands indicates the energy of easy distraction but can also indicate things that have been started or dreamt about (some time ago) are starting to come to fruition. The Page of Wands can also show a longing or desire for new things to explode into life, adventures, approaches, and new ideas. The Page brings positive energy but – there has to be the will to follow through.

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Sans jury ni récompense

I wish I felt like experimenting with paint.

Aquetin carried out an experiment studying the light passing through the colored panes of glass in his veranda. Bernard wrote and commented on this experiment, ‘Aquetin observed the light streaming through the coloured panes of a glazed door and noticed that yellow produced an impression of sunlight; green of dawn; blue of night; red of twilight.’ Bernard painted ‘The Reaper’ in the key of yellow (often repeated later by Van Gough) and in the key of blue, ‘The Avenue de Clichy at Evening’. These paintings were exhibited at the Revue Independante, at the Salon des Independants and at the headquarters of Les Vingt in Brussells. Read more…

The Société des Artistes Indépendants (Society of Independent Artists), Salon des Indépendants, formed in Paris 19 July 1884. The association began with the organization of massive exhibitions in Paris and was established in response to the rigid traditionalism of the official government-sponsored Salon. Their exhibitions were where new artworks were often first displayed and where paintings were widely discussed and in some cases caused controversial outrage in the newspapers and journals of the polite, conservative Parisian society.

Choosing the tagline “No jury nor awards” (Sans jury ni récompense) the society’s aims were to champion new ideas and thoughts that were prevalent in the cafe cultures of Paris and Europe. These contemporary ideas were being marginalized by mainstream critics and galleries. The strategic alliance between these artists from different backgrounds and methodologies was extremely successful in promoting their collective vision. The publicity gained by this ‘outsider’ tactic became the launching pad for many artists, who by gaining notoriety and publicity, crossed over into the mainstream.

Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its co-founders. For three decades their annual exhibitions moulded the art of the early 20th century. World War I brought a closure to the salon, though the Artistes Indépendants remained active.

A nude in my garden – Le déjeuner sur l’herbe

Nude In The GardenI have always wanted to paint a version of ‘Le déjeuner sur l’herbe’ this is my photographic version.

Edouard Manet’s Déjeuner sur l’herbe (a large oil on canvas, during 1862 and 1863) caused a big stir at the Salon des Refusés in Paris, having been rejected by the Salon jury of 1863. Manet seized the opportunity to exhibit this and two other paintings, at the 1863 exhibition and reveled in the public notoriety and controversy that followed.

The painting has historic and pastoral overtones, depicting the juxtaposition of a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. This painting references previous works of art by Titian (c.1487–1576) and Giorgione (c.1476–1510). The piece is now in the Musée d’Orsay in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London.

The image above was created using 35mm negatives that had been taken using a Pentax SP1000 that was previously owned by my late father. The photographs were taken in 1981 and 2012.

Bow Wow Wow‘s version of the same painting:

Famously, coinciding with Annabella Lwin’s posing for album cover work, her mother alleged exploitation of a minor for immoral purposes, and instigated a Scotland Yard investigation. As a result the band was only allowed to leave the UK after McLaren promised not to promote Lwin as a “sex kitten”. This included an agreement to not use a nude photograph depicting Lwin as the woman in The Luncheon on the Grass (Le déjeuner sur l’herbe), though the picture was used as the cover of the band’s 1982 RCA EP  The Last of the Mohicans, which became their best-selling album in the U.S.

I have always loved the drawings of Degas. The way he portrayed women, sensually and simply is to be admired. In the late 1880s, Degas also developed a passion for photography and this new skill influenced the composition of his paintings… Continue reading