Splat – I love getting covered in ink.
I sometimes forget what fun printing is.
I was taught the correct way to do etching by a remarkable chap at Exeter College of Art and by a strange random web excursion I found a reference to him:
Marek Laczynski was born in Warsaw. He was a partisan in WWII, while still in his teens. He left Poland after the Warsaw uprising in 1944, arriving in England with the Polish forces in 1946. He studied art at Borough Polytechnic and the Central School of Arts and Crafts. Marek Laczynski exhibited at the Grabowski Gallery, London, in 1960 and 1964. From 1964-1985 Marek Laczynski was Lecturer in Experimental Printmaking at Exeter College of Art and Design. Besides teaching at the college, Laczynski also published two books with the School of Printing’s private press imprint Bartholomew Books, The Wizard with his Pupil (1972), illustrated with original etchings, and Faces of Fear (1974), his own poems with reproduced etchings reminiscent of Fautrier’s Ôtages. Laczynski exhibited at Market Print Gallery, Exeter, in 1978. In 1981 he was one of ten artists who contributed prints to the Printmakers Council Portfolio, alongside Anthony Gross, Gertrude Hermes, John Piper and Julian Trevelyan. The British Museum has 9 woodcuts by Marek Laczynski in its permanent collection. Since 1985 Marek Laczynski has lived in Vienna.
My blog has reach number 1 in the top printing blog charts today.
Has Jesus cast out the money lenders from the temple or is he charging rent?
This is the print of mine that was exhibited at Cheim & Read, 547 W 25th Street, NY (January 2012)
I was delighted to be included in this exhibition which also featured artworks by Jeff Koons, Yoko Ono, John Waters, Donald Baechler, Marilyn Minter, Ed Ruscha, Polly Apfelbaum, Adam Fuss and Kiki Smith .
Methodology doesn’t describe specific methods; nevertheless it does specify several processes that need to be followed. These processes constitute a generic framework. They may be broken down in sub-processes, they may be combined, or their sequence may change … Continue reading
I have begun to work over a screen printed canvas (the painting below is the one I have reworked) in the studios of West Buckland School, to illustrate/show a student how to edit a painting. It is important to remove all the noise from a image to get to a meaningful statement – too much clutter, to much overkill detracts the eye from the real deal.
The image above is a photograph I took with a Pentax Spotmatic 35mm camera using ‘old stock’ (March 2000) Agfacolor HDC 200 film. My current preoccupation with 35mm film photography as taught me to look at things again – capturing the odd moment or peculiar juxtaposition. The colours and layout are similar to the painting I have created from the screen printed painting below (I will post the finished painting image soon).
The composition of this painting is based on a Union Jack and is a combination of screen printing and painting.
The reflections in the harbour in Ilfracombe always amaze me – the dirty sea water mixed with the vivid colours of the reflected boats, the bobbing flotsam and jetsam, the sunlight and oil spills.
This image is a version of a lithograph I did in 1978. To download it (high resolution) click on the image. This print was manipulated using Photoshop in 2002 and exhibited in 2004. The original lithograph, which is framed and signed is for sale at £85.00. If you want to buy it contact me.
Damien Hirst: ‘I still believe art is more powerful than money’
‘For all that, Damien Hirst has become for many the epitome of the artist as businessman, entrepreneur and global brand. It is quite a transformation, given that in the wild years of the 1990s, when the YBAs held their own in the drinking, tooting and necking pills stakes with Noel and Liam and the rest of the Britpop crew…’ Read more and get exclusive poster downloads: