My art for free This page is lifted from www.peterbright.info.
Art for free This page is lifted from www.peterbright.info.
This image is a version of a lithograph I did in 1978. To download it (high resolution) click on the image. This print was manipulated using Photoshop in 2002 and exhibited in 2004. The original lithograph, which is framed and signed is for sale at £85.00. If you want to buy it contact me.
Click on image to download
If you download it, print it off and then mail it to me I will sign it and return it if you send me the postage costs.
Background info: 1978: I once had a girlfriend called Anne who wore ‘Charlie’ perfume. Every time we came close I sneezed. I was allergic to her bottled smell…
Rediscovering the printing process after nearly 40 years has been an interesting process – disappointingly modern inks are not as rich in color (earthy colors are very plastic like) and modern water-based inks don’t become part of the surface, they … Continue reading ?
Contemporary artists have extended the boundaries of painting considerably to include; collage, different materials such as sand, cement, straw or wood for their texture. Juxtaposing images and materials, either as a collage, printing or painting is not simply a decorative process it is a complicated exercise. The mind always tries to create a narrative between images and materials. The juxtaposition of arbitrary marks, color, photographs etc. will always tease and trick the mind into rationalizing what it is trying to process and attempt to make physical world references – in other words make sense of what it is trying to analyze.
Since the proliferation of computers, painting could be argued to have migrated to the digital age (world). There is a massive community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, Gimp and others. Does this mean that new printing techniques have now become absorbed into painting methodologies and practices?
This meshing together of processes, unrelated imagery and the breaking down of barriers cannot be seen as a shortcut to intellectual credibility. The dedicated thought process that goes with the creative procedure should be one of intense reasoning. It is therefore unrealistic to expect the uneducated masses to use the computers prescriptive decision making to create ‘real art’. The birth of Photoshop has enabled everybody to create ‘non-intellectual’ versions of Rauschenberg (and Warhol) – this is not ART.
“Painting is the practice of applying paint, pigment, color or other medium to a surface. The application of the medium is commonly applied with a brush. In art, the term painting describes both the act and the result of the action. These same criteria can be used to describe printing.”