It is strange which images (paintings) people like to buy of mine. I always thought I was operating on the edge of the creative spectrum but it appears my realistic(ish) daubs are more successful.
The glint in the eye is the marker you see before you pull the trigger – eyes are the beacon of life and death.
‘Another Pheasant Bites The Dust’ – oil paint on paper 2014
Oil sketch on board 2012 (smaller than A4)
I’m not sure why I have painted this image but…
We were given a potted pepper plant and I have loved watching the peppers grow, changing colour from green to red. I took loads of photos of it but decided to see if I could paint it in oils. I have done three versions of the same plant, two on board and one on canvas – the image above is the first sketch.
An oil sketch or oil study is an artwork made using oil paints, abbreviated in handling and looser than a ‘finished painting’. Originally these were created as preparatory studies or modelli, to gain approval for the design of a larger commissioned painting. They were also used as designs (working drawings) for specialists in other media, such as printmaking or textiles. The concept of a free-flowing painting became acceptable as an independent (finished) work, with no thought of it needing to be ‘finished’.
Sometimes you just have to get back to basics and do a simple still life – returning back to the basic skills of painting a real subject is an interesting exercise – even if not very rewarding.
Sketching: Other common tools for making marks include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, markers, styluses…
It could be argued that photocopying machines and printers can create sketches.
The photograph above was taken with my Pentax K1000 35mm camera.