Author Archives: peter

About peter

'Death by Sushi' Fish can kill me. When I was very small (maybe 3 or 4 years old) my grandfather, who lost the sight of one eye from a bullet fired by a German sniper (fortunately not a very good one) during the Battle of the Somme in World War 1, wiped my face with the corner of his apron, an apron he had used to wipe his filleting knife on. He was a grocery shopkeeper who specialized in wet fish.

Morte Point – #photography

Photographs of Morte Point, North Devon

Photography = Art?


I am an old dinosaur – I am very confused. What is painting?  Leave a comment at the bottom of the page and set me on the right course.

— Peter Bright (@thiswindow)

Contemporary artists have extended the boundaries of painting considerably to include;  collage, different materials such as sand, cement, straw or wood for their texture. Juxtaposing images and materials, either as a collage, printing or painting is not simply a decorative act… Continue reading ?

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Art – sunset

There have been some great evening skies recently – Autumn is here.

The photographs below have been taken with a Pentax K1000 35mm film camera.

The Pentax K1000 is an almost all metal, mechanically (springs, gears, levers) controlled, manual-focus SLR with manual exposure control. It was completely operable without batteries. It only needed batteries (one A76 or S76, or LR44 or SR44) for the light metering information system. This consisted of a center-the-needle exposure control system using a galvanometer needle pointer moving between vertically arranged +/– over/underexposure markers at the right side of the viewfinder to indicate the readings of the built-in full-scene averaging, cadmium sulfide (CdS) light meter versus the actual camera settings. The meter did not have a true on/off switch and the lens cap needed to be kept on the lens to prevent draining the battery when the K1000 was not in use.

Pentax K1000. (2012, May 31). In Wikipedia, The Free Encyclopedia. Retrieved 21:26, June 8, 2012, from http://en.wikipedia.org/w/index.php?title=Pentax_K1000&oldid=495230110

Clouds over Morte Point
I’m still not sure what Art is – but I’m sure photography isn’t.

The problems of fragmentation and confusion that exist within more traditional art practices, such as painting and sculpture (in the broadest possible milieu) are mirrored in new art practices.

Ilfracombe harbour

Within these technological and new media categories, diverse concepts and imagery has been lumped together to form a hodgepodge of non-related methodologies and artworks.

Limes in a bowl

What is this direction? Rediscovering the printing process after nearly 40 years has been an interesting process – disappointingly modern inks are not as rich in colour (earthy colours are very plastic like) and modern water based inks don’t become part of the surfaceContinue reading ?

This is not #ART

Sheep Skull

The meshing together of processes, unrelated imagery and the breaking down of barriers cannot be seen as a shortcut to intellectual credibility. The dedicated thought process that goes with the creative procedure should be one of intense reasoning. It is therefore unrealistic to expect the uneducated masses to use the computers prescriptive decision making to create ‘real art’. The birth of Photoshop has enabled everybody to create ‘non-intellectual’ versions of Rauschenberg (and Warhol) – this is not ART.


Carol - Scilly Isles 1977

Painting exhibited at the West Buckland Festival 2012

Onions

oil paint on paper

I very rarely get inspired to paint these days but I saw a painting by Renoir entitled ‘Onions’  at the Royal academy last week and decided to give it a go.

My painting ‘Onions’ is nothing like the Renior but… The skin of the red onions were iridescent like the back of a beetle, shimmering and layered in colour.

The picture above is of my painting exhibited in ‘The Gallery’ of the West Buckland Festival.

A drawing I did in 1978 is exhibited again in #Ilfracombe

IMGP0589

Same Drawing in two Exhibitions two years apart

The image above is a drawing I did in 1978, which is part lithograph and part sketch in oils. It is now part of an exhibition in the coastal town of Ilfracombe.

Over this weekend, in the Landmark Pavilion, Sea Ilfracombe will be hosting a major event, which will include exhibitions from professional artists, as well as artwork from Ilfracombe’s schools and community college.

Peter Bright @ BroomhillThis other image (which is of the same drawing) was taken in September 2010 – I went to collect some paintings from Broomhill Art Hotel after an exhibition I had and took some photos of my paintings and discovered I had created a self portrait.