Category Archives: art

Commercial oil based paints mixed with animal fat – In private collection

This painting was painted around 2002 / 03 by Peter Bright

I hadn’t seen this painting for nearly 10 years – until yesterday…

Prediction = the aesthetics of the system + the aesthetics of failure = Prediction

Materials

Organic: Commercial oil based paints mixed with animal fat and traditional oil paints. Emulsion paints mixed with traditional acrylic/watercolour/gouache paints

Synthetic: Commercial and domestic self-adhesive vinyl tape, cut with a commercial computer based design/cutting program, using Signlab v.4.95 software package.

Title: ‘Self Portrait in Red’

The image above is a proposal for a painting whose width is 20 metres. Costs to produce approximately £10,000 to £12,500.

I would find it very easy not to produce any visual work. The aesthetics of painting, the total confusion that it is still in, has devalued this important medium. It is no longer acceptable to follow Duchampian traditions and say that context is a primary factor. To claim something is art is simply not good enough. Duchamp said that a painting/sculpture died after about 40 or 50 years. After that they become Art History. What will historians be saying in 40 or 50 years time? Read more…

I was using vinyl, a material I have used commercially, as my preferred medium. The “plasticness” of commercial vinyl tapes, their tactile and glossy qualities make them vibrant and alive; when juxtaposed against natural materials or organic shapes and colors they become a contradiction, a complement, more intense and more synthetic……which is similar to Frank Stella’s work during the 1980’s 4 . I carried out experiments with this vinyl material; I have cut and slashed it to destruction, to gain a better understanding of the inherent stability of this medium. I have rejected the possibilities of cutting out images and shapes by hand…..the aesthetics of the system was more important.

There is no such thing as ART

The pointlessness of producing art for decoration and pleasure is a perverted masturbation fantasy and process for the deluded mind. Art and its prettiness have no place in any intellectual society – it has no place in a capitalist society – it has no place…

The only true pursuit for the creative process is the creation of the commodity. There are no such things as art schools, public art and art galleries, they are simply empty vessels containing and perpetuating the (economic) elitist stranglehold on the common man’s freedom to think for himself.

The powerful use art to bludgeon the weak into submission by edifying their wealth with totems and monuments to their self glory.

Any person who calls themselves an artist should be ashamed of themselves – because they are a liar.

Peter Bright (aka This Window)

(Commodity) art is created for and by the wealthy.

Who was the first man in space? – Work in progress

Young men from opposing political viewpoints expand scientific and exploration boundaries for political kudos – but they were exciting times. Bring back the cold war – the world was a safer place and more interesting.

The Cold War was the period of history from roughly between 1946 and 1991 of political conflict, military tension, proxy wars, and economic competition between the Communist World—primarily the Soviet Union and its satellite states and allies—and the powers of the Western world, primarily the United States and its allies. Although the chief military forces never engaged in a major battle with each other, they expressed the conflict through military coalitions, strategic conventional force deployments, extensive aid to states deemed vulnerable, proxy wars, espionage, propaganda, conventional and nuclear arms races, appeals to neutral nations, rivalry at sports events, and technological competitions such as the Space Race.

Cold War. (2011, December 2). In Wikipedia, The Free Encyclopedia. Retrieved 11:43, December 4, 2011, from http://en.wikipedia.org/w/index.php?title=Cold_War&oldid=463632314

Work in Progress

Triumphant Adventure

ARTIST + S T A T E M E N T …

The political and ideological polarity of Russia and the USA during the cold war (retrospectively) makes an interesting starting point for a new project. Apparently there are rumors that the early days of the Russian space program were not only motivated by military and scientific advancement but a search for a new world to populate – to put citizens of the Russian Republic on once they had realized their ambitions of ensuring immortality. There was no God in Russia (officially) and the USA put their trust in God, both were chasing the same dreams, immortality and history. Gagarin achieved both by  becoming a God (hero) in his own country and the rest of the world – all gods die young.

As an 11 year old I watched the first moon landing in 1969. I was mad about everything to do with space travel, I would read anything that was about rockets, cosmonauts and astronauts. Later in my life I shook the hand of a man who shook the hand of my all time hero Yuri Alekseyevich Gagarin, that was for me like touching history, if only secondhand (excuse the pun).

I was rummaging through old boxes of stuff and found the newspaper cutting of an astronaut on the moon – yellowed and faded – it still makes my heart flutter. I wish I’d been to the moon.

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Photograph self portrait 1974

This was taken with a 35mm Pentax SLR in 1974 and manipulated in the darkroom in Stourbridge College of Art and Design. This reminds me of the simple pleasures I had messing about with making images – it is a shame I have become cynical.

There are millions of ‘Art’ viewpoints; some take a position of extreme difficulty or resistance. This position questions everything and is unforgiving. The principal is that artists should look beyond the superficiality of life and expose the core. They should also look at the superficiality of Art and culture and rip and tear at the flesh of its own conception, rejecting Metaphor, Romanticism etc. etc. By implementing such self imposed draconian measures you may be left with a purity of ideas but that leaves little to create or live for.

QUALIFICATIONS:
Postgraduate Certificate from Wolverhampton University in Painting
BA(hons) degree from Exeter College of Art and Design in Printmaking

EDUCATION:
2004-2006 Bristol University
2002-2003 Wolverhampton University
1976–1979 Exeter College of Art & Design
1974-1976 Stourbridge College of Art & Design

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