Category Archives: Biography

The genetics of art? National Mouse Club

I was selected for “Softcopy” exhibition at the Kimura Gallery, University of Alaska, April 3-17, 2006. I have always been fascinated by time and this exhibition was an ideal opportunity to document a period in my life when I was obsessed with genetics and had embarked on breeding a champion mouse to gain a National Mouse Club best in breed trophy. Our vast knowledge on the way living thing are made, enable us to create larger or smaller domesticated animals or other living organisms for food and pleasure.

The piece exhibited in the ‘Softcopy’ exhibition was called ‘Site Under Construction’ this was an ongoing project I started in 1999, which explored the complex idea of identity and truth. Documenting how to breed a ‘difficult colour’ – difficult colours are the colours painters love to use. I was painting with living things.

Through out the web there are thousands of extremist viewpoints all ejaculating vicious and malicious bile. By assuming an extreme identity you can adapt innocent information and create a political or moral hard-line manifesto and engage in extreme ideologies and propagate propaganda. Extremes like fascism can be alluring in times of National crisis and could be considered as a remedy for terrorism and economic crisis. (I naturally don’t agree with this but…)

cup

Selective breeding to create the perfect, idealized form and color within living organisms (if taken to the extreme) have similar philosophies and methodologies to those employed in ethnic cleansing. The weak and imperfect are destroyed and non-conforming breeding stock culled; the aim is to create an elite super species. Read more...

Another view from the exhibition pdf of article in ‘The Northern Light’

[youtube=http://www.youtube.com/watch?v=fubxn698OZA&w=354&h=214]

Who is Peter Bright? – from Wikipedia

This Window (UK) was formed by Peter Bright around 1985; earlier tape experiments exist from 1979 to 1984. These tape experiments formed the basic philosophy of This Window. The analogue tape machine became the main instrument used to create ‘songs’. This interest in experimentation had been nurtured whilst being a member of the Exeter College of Art bands, T.34 (1978 – 1980) and The Urge (1979). The Urge supported Adam and the Ants and Bauhaus and were offered a record contract with 4AD but decided to split up and consequently didn’t sign. In A Glass Darkly (1981) was a project with the lead singer from The Urge, Russell Young and two ballet dancers who performed to a tape backing track of a dripping tap, only a handful of gigs were played in London. This project ended and Peter later joined Finish The Story (1981 -1986) as guitarist.

The perfect conduit for This Window’s music and art was the Cassette Culture and Mail Art scenes. These networks of artists and musicians encouraged an early form of open source cooperation, with projects being shared and created. This methodology fitted in with This Window’s approach to creativity.

Over the years This Window became the pseudonym of Peter Bright.

Music production

Articles/Reviews

  • Review in German magazine ‘Epitaph’ 1991, contains list of solo releases from 1988 – 1991 [1]
  • Review and interview with the BBC in 2005 about the release of ‘The Sampler #05’.[2] There is a link on this page to an audio clip of the interview.
  • Review by Mick Mercer: [3] in 2007
  • Review in Grave Jibes Fanzine (Russia) February 2010 [4] pages 64 to 71. This includes an interview and a review of ‘Cassette Culture 1989 – 2009’
  • Article on early experiences of home taping [5] from the ‘The Living Archive Of Underground Music’

Trivia

This Window. (2011, April 16). In Wikipedia, The Free Encyclopedia. Retrieved 09:50, August 30, 2011, from http://en.wikipedia.org/w/index.php?title=This_Window&oldid=424397868

Download UK AlbumCassette Culture 1989 – 2009