The paintings of Francis Bacon have always stood out in the crowded museums and galleries that are stuffed full of mediocre British paintings.
Daniel Farson gives a personal view of his (if only in his own mind) ‘friend’s’ chaotic debauched life, gay lovers, masochistic beatings and ‘bits of rough’. This is in no way a proper critical view of this painter’s life, is is merely a tabloid’s view, scandalous, shallow and sometimes pathetic. It is a fantastic read!
The storytelling is random and underscored with Farson’s deep bitterness – I think he wanted to be a bigger player in this game.
Bacon’s early life, which sounds positively hideous, the days in Berlin, Paris and the buggering about on the coast. The deep depression and the sex driven, drink driven highs are all in The Gilded Gutter Life of Francis Bacon.
From the mid 1960s, Bacon mainly produced portrait heads of friends. He often said in interviews that he saw images “in series”, and his artistic output often saw him focus on single themes for sustained periods including his crucifixion, Papal heads, and later single and triptych heads series. He began by painting variations on the Crucifixion and later focused on half human-half grotesque heads, best exemplified by the 1949 “Heads in a Room” series. Following the 1971 suicide of his lover George Dyer, Bacon’s art became more personal, inward looking and preoccupied with themes and motifs of death. The climax of this late period came with his 1982 “Study for Self-Portrait”, and his late masterpiece Study for a Self Portrait -Triptych, 1985-86. Despite his seemingly existentialist outlook on life, Bacon appeared to be a bon vivant, spending much of his middle and later life eating, drinking and gambling in London’s Soho with Lucian Freud, John Deakin, Daniel Farson, Patrick Swift,[2] Jeffrey Bernard, Muriel Belcher and Henrietta Moraes, among others. Following Dyer’s death he distanced himself from this circle and became less involved with rough trade to settle in a platonic relationship with his eventual heir, John Edwards.
Francis Bacon (painter). (2010, August 1). In Wikipedia, The Free Encyclopedia. Retrieved 07:26, August 2, 2010, from http://en.wikipedia.org/w/index.php?title=Francis_Bacon_(painter)&oldid=376519313
‘ is a book that I would put as my number 1, published in 1975 (by Dolphin) it simply sets out to do what is written in it’s title, explaining art movements such as Process Art, Land Art, Conceptual Art and Body Art, in a brief but concise way. None of the movements of fine art covered in this pocket book are dealt with in great depth but it provides an informed introduction to these different concepts and methodologies. The beauty of this book is the fact that it was written closer to ‘as it was happening‘ and gives an optimistic appraisal of art movements that have since been sidelined or dismissed as mere Cul-de-sacs.