Tag Archives: Visual Arts

Any person who calls themselves an #artist should be ashamed of themselves – because they are a #liar.

powerThe only true pursuit for the creative process is the creation of the commodity. There are no such things as art schools, public art and art galleries, they are simply empty vessels containing and perpetuating the (economic) elitist stranglehold on the common man’s freedom to think for himself.

The powerful use art to bludgeon the weak into submission by edifying their wealth with totems and monuments to their self glory. [Read More]

Any person who calls themselves an artist should be ashamed of themselves – because they are a liar.

(Commodity) art is created for and by the wealthy.

Painting has always been dead: Rubber gloves, stolen kisses, pouches of Chinese fresh drinking water, broken dreams, the constant questioning and declassification of what art is and what the content is has lead to this so called crisis in painting (there has always been a crisis in painting) – Painting is dead – the exponents of Conceptual Art tried to destroy the art object but failed – thought and the idea is the object. The primary aims of Conceptual Art in the 1960?s was to carry out a theoretical examination of ‘art’ and through understanding propose ‘concepts as art’, sections of discarded fishing nets strewn across the tourist beach, lovers in the darkness groping for the dark, hands first finding spaces, then they find there mark, my father, my ghost, my hopes and dreams, stinking of rotting carcasses [Read More]

Peter Bright (aka This Window) – homo symbolicum

…to be able to imitate the real world is useful when trying to turn your back on it.

Peter Bright (aka This Window)
Peter Bright (aka This Window)

A degree of pressure can give you the ‘edge’ and help you to effectively perform but excessive stress and worry can reduce your productive output and make it difficult to make the right decisions.

Paradigm: Clients are always shocked when I suddenly present to them a ‘painting from life’ – I appear to produce slap-dash imagery as my main artistic process, this isn’t because I haven’t mastered the basic fundamental skills of ‘traditional’ painting and drawing because I have and I am more than able to produce paintings in a typical style or pattern of work; a pattern or mode of working, arranged in order to form semantic constructions and express relations(hips) to the real world

Artists and teachers have argued for years that to fully understand the processes required in creating non-representational art, a knowledge of basic representational ‘tricks’ is vital – to be able to imitate the real world is useful when trying to turn your back on it.

Memories: Dead birds and rubber gloves, stolen kisses, pouches of Chinese fresh drinking water, broken dreams, sections of discarded fishing nets strewn across the tourist beach, lovers in the darkness groping for the dark, hands first finding spaces, then they find there mark, my father, my ghost, my hopes and dreams, stinking of rotting carcasses [Read More]

The Defeatist: I have never been a true artist. The naked truth is I have been and still am a liar. The pointlessness of producing art for decoration and pleasure is a perverted masturbation fantasy – a process for the deluded mind. Art and its prettiness have no place in any intellectual society – it has no place in a capitalist society …

The only true pursuit for the creative process is the creation of the commodity. There are no such things as art schools, public art and art galleries, they are simply empty vessels containing and perpetuating the (economic) elitist stranglehold on the common man’s freedom to think for himself.

The powerful use art to bludgeon the weak into submission by edifying their wealth with totems and monuments to their self glory.

Any person who calls themselves an artist should be ashamed of themselves – because they are a liar.

There is no such thing as an artist – I am a painter, I create decorations for walls.

 

Gerhard Richter – Tate

Since the 1960s, Gerhard Richter has immersed himself in a rich and varied exploration of painting.


I’m looking forward to going to this exhibition.

His career has been defined by versatility and innovation, his work covers virtually every painterly discipline and art methodology; his work can be figurative, abstract and even conceptual. Richter once declared that: “I use different styles like clothes: it’s a way to disguise myself.”

Examples of his work include, 4900 Colours from 2007, which consisted of bright squares that are randomly arranged in a grid pattern to create a kaleidoscopic of colour. It was created around the same time he designed the south transept window of Cologne Cathedral.

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“extended definition of art”

Mail Art in Wisconsin

Joseph Beuys (May 12, 1921 – January 23, 1986) was a German performance artist, sculptor, installation artist, graphic artist, art theorist and pedagogue of art.


Joseph Beuys' signature. Photographed from a b...

Image via Wikipedia

 

His extensive work is grounded in concepts of humanism, social philosophy and anthroposophy; it culminates in his “extended definition of art” and the idea of social sculpture as a gesamtkunstwerk, for which he claimed a creative, participatory role in shaping society and politics. His career was characterized by passionate, even acrimonious public debate, but he is now regarded as one of the most influential artists of the 20th century.

Mailart in many respects pushes the boundaries of what can be considered art, it has a surreal or Dada quality about it. Mail art sometimes reaches the mainstream gallery audiences but never really reaches the greater highs. Good mail art would not look out of place next to exhibitions like the  Joseph Beuys exhibition in Cardiff.

Mail art is a worldwide art and music movement that began in the early 1960s. the principle is simple you send visual art (but also music, sound art, poetry, etc.) through the international postal system. Mail Art is sometimes known as Postal Art or Correspondence Art. Mail Art is a network, based on the principles of barter and equal one-to-one collaboration.

After a peak in popularity in the late 1980s and early 1990s, the Mail Art phenomenon has gradually migrated to the Internet, whose “social networks” were largely anticipated and predicted by the interactive processes of postal collaborations. Nevertheless, Mail Art is still practiced by a loose planetary community involving thousands of mailartists from the most varied backgrounds.

All my love Marni

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One day exhibition – today

I decided to have an impromptu exhibition – it is so impromptu the people who are coming to visit don’t even know it is an exhibition.

As an artist (well sort of) it is easier to encourage people to look, touch even buy your works of art in a gallery. High Street shopping and gallery purchases are a sensual experience, so how does this work on the Internet?

We are all constantly searching for the next must have object – we read reviews,  visit galleries, go shopping and are sometimes captured by cynical marketing. When friends, neighbors and family show off their latest lifestyle purchase, frantic impulse buying (online) begins – we want the lifestyle but we want it cheaper.

Read more: http://technorati.com/lifestyle/article/do-people-make-impulse-art-purchases/#ixzz1aHWZPT91

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